A play banned in Australia in 1936 is being staged again, 90 years later. Clifford Odets' 'Till the Day I Die' was outlawed by the federal government at the request of the Nazi consul general. The ban happened because the play was said to offend a 'friendly foreign nation.' It is about a communist Berliner arrested by the Nazis for making left-wing pamphlets. Now theatre-makers Mark Wilson and Katie Sfetkidis are restaging it for the Melbourne Fringe festival in October. It will be performed on the back of a truck in the Trades Hall car park.
The play premiered on Broadway in 1935, a companion to Odets' more famous 'Waiting for Lefty.' When Australia banned it, the outcry was huge, and artists staged it secretly on a truck at Collingwood town hall in Melbourne. That truck became a symbol of rebellion for Wilson and Sfetkidis. They have gathered almost 30 professional actors for their new production. Sfetkidis said the play still matters today, at a time when people are scared to discuss politics for fear of upsetting someone.
The revival links a 90-year-old fight against fascism to today's debates about free speech and political courage. It shows how art can push back against censorship.

A play banned in Australia in 1936 is being staged again, 90 years later. Clifford Odets' 'Till the Day I Die' was outlawed by the federal government at the request of the Nazi consul general. The ban happened because the play was said to offend a 'friendly foreign nation.' It is about a communist Berliner arrested by the Nazis for making left-wing pamphlets. Now theatre-makers Mark Wilson and Katie Sfetkidis are restaging it for the Melbourne Fringe festival in October. It will be performed on the back of a truck in the Trades Hall car park.

The play premiered on Broadway in 1935, a companion to Odets' more famous 'Waiting for Lefty.' When Australia banned it, the outcry was huge, and artists staged it secretly on a truck at Collingwood town hall in Melbourne. That truck became a symbol of rebellion for Wilson and Sfetkidis. They have gathered almost 30 professional actors for their new production. Sfetkidis said the play still matters today, at a time when people are scared to discuss politics for fear of upsetting someone.

The revival links a 90-year-old fight against fascism to today's debates about free speech and political courage. It shows how art can push back against censorship.

📰 Source: News Source
theguardian.com ↗
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