'You Can See Everything' Will Be A Treat Over Slow Halloween Frame; Documentary's U.S. Cume At $52M+ & Rising – Box Office
News Source
โขFri, 30 Oct 2026 18:18:17 +0000
๐ฐ What Happened
A24's three-hour documentary You Can See Everything, co-directed by Lance Oppenheim and Nathan Fielder, is expected to lead a sluggish Halloween weekend with around $10m, roughly 40% down from its $19.5m second weekend. The film has earned $27.1m in its second week for a 14-day domestic total of $52.7m.
๐ The Backstory
The film has been propelled by nonstop memes and by Elizabeth Holmes and Nathan Fielder costumes circulating on social media, an unusual engine for a documentary. Warner Bros/DC's Clayface leads the week with $33.7m in its first week, while Laika's Wildwood opened to $18.3m and Street Fighter fell 70% to a $49.8m total.
๐ฏ Why It Matters
You Can See Everything has already passed Bowling for Columbine, An Inconvenient Truth and Hubble 3D domestically, though Fahrenheit 9/11's $119.1m remains far ahead. Halloween falling on a Saturday usually hurts cinemas, so the weekend's real test is whether a three-hour documentary can pull audiences away from festivities.
A24's three-hour documentary You Can See Everything, co-directed by Lance Oppenheim and Nathan Fielder, is expected to lead a sluggish Halloween weekend with around $10m, roughly 40% down from its $19.5m second weekend. The film has earned $27.1m in its second week for a 14-day domestic total of $52.7m.
The film has been propelled by nonstop memes and by Elizabeth Holmes and Nathan Fielder costumes circulating on social media, an unusual engine for a documentary. Warner Bros/DC's Clayface leads the week with $33.7m in its first week, while Laika's Wildwood opened to $18.3m and Street Fighter fell 70% to a $49.8m total.
You Can See Everything has already passed Bowling for Columbine, An Inconvenient Truth and Hubble 3D domestically, though Fahrenheit 9/11's $119.1m remains far ahead. Halloween falling on a Saturday usually hurts cinemas, so the weekend's real test is whether a three-hour documentary can pull audiences away from festivities.